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View photos Photo credit: Getty More You might have expected a somber affair, maybe a shroud here or there, but even one of the darkest dresses of the night - Teresa Palmer in plush Armani -was midnight blue. (Whereas Amy Adams' anthracite Tom Ford actually sparkled.) And amongst lashings of Easter Sunday lilac, the colors of the night were cheery yellow and pink, which together, perhaps reflects millennials taking pale, "girly" shades and severing them from their historical associations of gender. But there was still a sense of gravity, even though the gowns were maybe only a bit more extravagant than usual-you got the feeling the attendees knew the public needed that old Hollywood razzle-dazzle to twinkle harder than ever before, like a star does before it dies. This was a crowd putting on its bravest face. But then-then you had a suit, worn by Evan Rachel Wood to show girls they aren't limited to skirts, a decision she explicitly announced to Ryan Seacrest . You had Lola Kirke's unshaven underarms and a "F*ck Paul Ryan" pin affixed to the bodice of her floral Andrew Gn. (Truly groundbreaking.) You had Chrissy Metz, who, in a turn of events, passed on two gowns , when before, she might have had none to pick from. And you had Transparent actress Trace Lysette, who underscored the evening's theme of freedom just by being a young woman thrilled to wear emerald Charbel Zoe to her first Globes. In the fashion itself, and in the words some wearers used to explain their meanings, you can see so many half-steps of choice: femininity presented as Jill Soloway in a Gucci pajama suit or Sofia Vergara in a lacy, busty Zuhair Murad. "The public needed that old Hollywood razzle-dazzle to twinkle harder than ever before, like a star does before it dies." It was a night of women in pretty, soft dresses saying sharp words -women who know that the right clothes can magnify their own power.
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...as found by BBC Monitoring 13 January 2017 Image copyright Umer Image caption Umer's website describes it as "the app that helps when someone has died" A newly-unveiled smartphone app that allows people to organise funerals on the go has prompted scepticism and even ridicule in Russia. Its developers say the app - to be launched in two months' time - is designed to make it easier for grief-stricken relatives unfamiliar with the process to arrange the funerals of their nearest and dearest, the Lenta.ru website reports . It is modelled on the ride-sharing service Uber, and is even called "Umer" - which is the Russian for "he's dead". According to the app's website , users will simply be able to type in the deceased's name, date of death, religion and address. They will then receive options and prices for different cemeteries and funeral directors, a choice between cremation or burial, and options for various gravestones. The customer is then put in contact with an operator, who arranges the details. "It's easy. Easier than dealing with some random undertaker," says the app's website proudly. It also offers advice on the paperwork needed after a death. But Russians appear unimpressed by the idea. Some think it's unlikely to take off because of low levels of internet use in Russia.
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